audio review : Not For Radio ( song ) … Nas ( featuring Diddy )

“Edgar Hoover was black; Willie Lynch is a myth,” Nas affirms, “Colombians created crack; the government made stacks.” It’s that first part about Hoover that represents the rapper’s state of mind. He, like too many Americans, is obsessively focused on race and racism, but only the white on black type, which itself seems racist in its exclusions.

To be fair, Sean Combs (Diddy) does suggest equality by commanding all listeners to put their fists in the air, whether they’re “white, black, Latino, Asian, Caucasian…” Hold on; isn’t Caucasian and white the same? In being inclusive though, he contradicts not only himself but the concept of the song, which is supposed to be about “they” and “us”.

The best parts are the hook, though what sounds like a silly falsetto effect added to it takes away from the song’s solemn message, and the beat, which is led by an epic sample from The Hunt For Red October. The worst part of the song, other than Diddy mentioning the year; “We ain’t posing for no pictures in 2018”; is the title, which seems irrelevant.

my rating : 4 of 5

2018

audio review : Nasir ( album ) ... Nas

audio review : House Money ( EP ) … Max B

audio review : House Money ( EP ) ... Max B

I don’t know how Max B is recording what sounds like studio-quality vocals in prison, but you’d swear he made this EP in early 2009. That is to say the rapper hasn’t missed a beat.

The best songs are the ones he’s singing on, of course, as he should be doing on every one. When he just raps the hooks, as on Ride On Em and Super Bad, it just doesn’t sound as “wavy”.

Almost every song features a guest rapper. French Montana, Jadakiss and others drop by the Blackjack table, though the illusion is thrown off when one mentions him being in prison.

my rating : 3 of 5

2019

audio review : Street Light [ First Edition ] ( album ) … KRS-One

audio review : Street Light [ First Edition ] ( album ) ... KRS-One

This seems more like a mixtape-like side project than a proper album. As far as I know, it could be. The First Edition subtitle certainly suggests so. If it isn’t, it’s the third KRS-One album in a row with the same song on it. Invader is included on Now Hear This from 2015 and The World Is Mind from 2017. The decision to include it here, albiet a 2019 version, is baffling.

It’s still one of the best songs though, thanks in part to a groovy Mad Lion beat, though I would’ve given it a Mexican vibe to fit the concept. Forever Hip Hop gets it right. The other best songs are the ones KRS-One’s wife G Simone sings the chorus on; Ride, Miracle and God. Perhaps he should’ve let her sing every hook. Most of the others are defective.

my rating : 3 of 5

2019