2015
Tag: Jimmy Jam
audio review : Unbreakable ( album ) … Janet Jackson
Dammn Baby. You made me wait seven years for this?
I was liking every Janet Jackson album until Discipline. This new one, entitled Unbreakable as if her brother Michael didn’t already use that comeback concept, is worse. Janet Jackson is back with producers Jimmy Jam And Terry Lewis and I’m delighted; she should’ve never abandoned them; but even their glossy craftsmanship can’t transform a mediocre song into a good one. Black Eagle, for example, sounds gorgeous when it takes off, but it doesn’t do so until pass the halfway point. By then it’s too late. Elsewhere the album is a surprisingly disappointing affair.
Janet Jackson has long since had a talent for vocal melodies. “Soon you’ll be having fun,” she teased on All For You; her best song on one of her best albums; and it was a joyous experience. Then, while the rest of the world focused on her tit; that whole Superbowl thing being blown ridiculously out of proportion is a prime example of why I hate “PC” America; I was jamming to the Damita Jo project, her other best album. I like 20 YO too, but she seems to have lost her knack between then and now. These choruses; Gon Be Alright sounds like a reject from Jill’s Scott newest album; lack oomph.
Broken Hearts Heal is about Michael Jackson. Unlike LaToya, I’ve never heard Janet badmouth him and she supported him during his criminal trial, so the sentiment seems genuine, but the dedication isn’t anything special. Jimmy and Terry do a splendid job with the music, as usual. It’s the vocals, again with the chorus, that disappoints. Is It Scary, a Jimmy and Terry song by Michael Jackson, is a masterpiece. Nothing here comes close. Even Scream is better than this stuff. Invincible, Michael’s worst album, which also begins with a weak song entitled Unbreakable, is better than Unbreakable.
That means the album title isn’t true. From the sound of it, Janet is indeed breaking. Not bad; I don’t hear anything terrible here; but bad enough to need a fix. If it isn’t being reunited with arguably the best duo producers in pop music history, I don’t know what it could be. Though some songs are suspiciously short, there’s only one interlude and she’s not talking on it, so she’s wised up in that regard. Her harmonies still sound incredible. She’s older, but her girly voice is still there. Even the vibe of the album sounds like classic Janet Jackson. The songs simply don’t hold up.
my rating : 3 of 5
2015
Amazon Customer :
Preach!
TVonDVD :
You read my mind … totally agree..
Burnitup ( song ) … Janet Jackson ( featuring Missy Elliott )
2015
audio review : Burnitup ( song ) … Janet Jackson ( featuring Missy Elliott )
Damn. I know Janet is a VIP and everything, but why’d she have to bring Missy? The rapper’s annoying vocals add almost nothing of value to this song; another dance club anthem. Janet Jackson has many. This isn’t one of her best.
The beat, led by what may as well be the first second of Vanity’s Nasty Girl looped, is “hot” enough; it’s just that the song itself isn’t anything special. It sounds more like a Discipline reject than vintage Janet Jackson.
my rating : 3 of 5
2015
audio review : Unbreakable ( song ) … Janet Jackson
This “love” ode, a dedication from Janet to fans and friends, sounds like it’s going to be another banger until the chorus comes in and ruins everything. It’s not awful, but it sounds like it belongs on another song. The contrast is jarring enough to make what the title suggests should be something special a bit of a mess.
Michael Jackson made the same mistake on his last album, which also begins with a song entitled Unbreakable. Both are disappointments from artists capable of so much better, but Janet’s has better music. In a battle of the beats, Jimmy Jam and Terry Lewis, or either one, beats Rodney Jerkins just about every time.
my rating : 3 of 5
Janet Jackson’s Unbreakable album cover shoot
2015
Unbreakable ( song ) … Janet Jackson
2015
promo : Janet Jackson’s Unbreakable album
No Sleeep ( song ) … Janet Jackson ( featuring J Cole )
2015
audio review : Truly ( song ) … Janet Jackson
The fingersnaps are the metronome; virtual snares to a nonexistent drum beat; but I think the song, as nice as it is, might be even better without them because there would be nothing to distract from the dreamy flow of the melodies.
This is lovely mood music, among the best produced by Jimmy Jam and Terry Lewis, with celestial keys streaming and soft guitars strumming away in the background. It’s a fitting set for ocean-based romance if there ever were such a thing.
“You feel like my everything when you’re near my aura beam,” Janet Jackson croons in her signature whisper, “You make my heart sing.” With sweet nothings like that floating around, Truly In Love would’ve been a more accurate song title.
my rating : 4 of 5
2004
audio review : Take Care ( song ) … Janet Jackson
Soft fingersnap snares are the metronome to an array of steamy chords, drippy keys and mellow bass. It’s horny mood music made for “quiet” times in the bedroom as a girl masturbates under candlelight.
With each thrust, she’s imagining her man who’s away at work for the night. “I’m in a sexy mood and only you can fill my needs,” she thinks to herself; “I’ll lay here and take care of it till you come home to me.”
my rating : 4 of 5
2006
audio review : Is It Scary ( song ) … Michael Jackson
It isn’t scary, but neither is Thriller. It’s hard to make a song scary in a horror kind of way without a scary video to accommodate it. Michael Jackson has, however, managed to once again create a song that is truly spectacular. It’s actually a musical and conceptual recomposition of Ghosts, evident by the fact that their verses are quite similar and hinted at by the fact that they play-out one after the other on the Blood On The Dance Floor album. It’s an awesome set, but this song is better. There’s just no matching Michael Jackson on the chorus.
“Is it scary for you,” it goes; a question phrased in a way I can’t make grammatical sense of. A “too” before “scary” would fix it. A “to” instead of “for” would be even better. As is, it sounds like a lyrical mistake on what is otherwise a masterpiece. You could say the music, a rhapsody by Jimmy Jam and Terry Lewis, is overproduced, but I think it’s a perfect fit to Michael Jackson’s epic vocal performance. He sings, screams, hoos and makes his signature hiccup noises, projecting his voice to the point of hoarseness, in an amazing showcase of musical magic.
He’s a pop legend with a world of spectators, many of whom view him as not much more than a freak. If he’s been holding his feelings in all these years, he’s finally letting them out. “I’m gonna be exactly what you wanna see,” he says before morphing into an uglier version of the Thriller monster, “And if you want to see eccentric oddities, I’ll be grosteque before your eyes.” If you want a freak show, in other words, you got one. It’s the coda, when a lonely piano plays a haunting melody over enchanting strings, that will put a chill up your spine.
my rating : 5 of 5
1997