video review : Inglourious Basterds

video review : Inglourious Basterds

“I think this just might be my masterpiece,” a character says to another just before the ending credits begin. It’s an obvious wink from director Quentin Tarantino. Inglourious Basterds is his best movie yet, even better than Jackie Brown and Reservoir Dogs, and he seems to know it. There’s no “might” about it. It’s a masterpiece. It’s also one of the best movies I’ve ever seen.

The story takes place during WW2 as Nazis, led by Hitler, seize control of France, killing Jews along the way. Their opposition? A small troop of Jewish soldiers whose primary goal is to kill Nazis and off their scalps for souvenirs. It’s a brutal battle with clever crossplots; scenes simmer with suspence until someone’s killed once their cover is blown; thrown in for narrative measure.

my rating : 5 of 5

2009

video review : The Family

video review : The Family

Michelle Pfeiffer is looking old, but her daughter makes up for it. Belle is alluring. In a Robert De Niro movie about Goodfellas-style mob crime, the most captivating moment is a sex scene in which she’s getting fucked by her teacher. That’s because, while the concept; a Family trying to adjust to a new life via The Witness Protection Program; has potential, the plot is full of bullet holes.

my rating : 3 of 5

2013

Sara Lee French Style Strawberry Cheesecake

Sara Lee French Style Strawberry Cheesecake

This Sara Lee Cheesecake, which is so “whipped” and “fluffy” when it thaws you’d be better off eating it with a spoon, tastes damn good. The one thing holding it back from excellence is that strawberries are sort of sour. It would be better with just the strawberry syrup on top. The oatmeal cookie crust is also distractingly crumbly. Not that it all doesn’t mesh well going down.

my rating : 4 of 5

video review : You’re The One [ In Concert ] ( concert ) … Paul Simon

You're The One [ In Concert ] ( concert ) ... Paul Simon

Old Paul Simon stands front and center, under a baseball cap, in a shirt with a cross on it, looking modest. Perhaps it’s because he knows that it’s not really him but his music that is the star of the show. He’s composed some great songs over the years and some of them find their way here, despite the off-putting set title, which falsely suggests that it’s primarily a concert of songs from his new album.

He does perform six songs from You’re The One, including the heartbreak anthem title track, but most of the songs he sings are the ones the world already knows and loves. And the backing music often sounds even better than the original album versions, thanks to his band, which at one point has master drummer Steve Gadd totally nailing the complex marching beat of Fifty Ways To Leave Your Lover.

That song fuses into a Fender Rhodes jazz session at the end, but funky instrumental breakdowns aren’t uncommon during this show, which is actually a mesh of two recent (2000) shows performed at The Olympia Hall in Paris. It would’ve been better to stick to one show, yes, but Paul Simon and his crew are wearing the same clothes, so you won’t notice unless you’re comparing shots of the audience.

my rating : 4 of 5

2001