2021
Tag: Arrested Development
Where Lions Roam ( song ) … Speech
2021
audio review : For The Fkn Love ( album ) … Arrested Development
The abbreviation in the title is silly; Effin would’ve been a more appropriate edit; but the worst thing about this album are the “Configa” tags that start nearly every song. He’s a damn good producer; this is vintage hip-hop that could’ve come out any time since the 3 Years 5 Months And 2 Days it took for Arrested Development to enter the world stage; but the constant credits give the set a sloppy mixtape feel.
Those beats are also the best thing about the album. Speech remains a pro-black poet; guest verses from rap veterans like Monie Love, Masta Ace and Big Daddy Kane come as nostalgic surprises; but it’s only when he stumbles upon a catchy chorus that we’re reminded why we fell in Fkn Love with his group in the first place. Highlights include We Are Not In Kansas, Where Lions Roam, Do It Up and Yes Always.
my rating : 3 of 5
2021
Vibe ( song ) … Speech + Big Daddy Kane ( featuring Cleveland P Jones + Tasha LaRae )
2021
Swing Um ( song ) … Speech ( featuring Dell-P + Masta Ace + Fatman Scoop )
2021
In 1 Day [ Whole World Changed ] ( song ) … Speech
2017
United Minds ( song ) … Speech ( featuring Montsho Eshe )
1994
U2 ( song ) … Arrested Development
2016
Out To The World ( song ) … Arrested Development ( featuring Toy Matthews )
2016
Living ( song ) … Arrested Development
2012
audio review : Zingalamaduni ( album ) … Arrested Development
You don’t have to be an advocate for Africa in order to appreciate Arrested Development. Their main objective is to uplift African people, yes, but they do it with music that’s catchy and charming enough to appeal to all races. “It’s not just race,” Speech declares on the United Minds starter song, “We’re all in this together.” That is perhaps what inspires the title; a Swahilian term he says means “a beehive of culture”.
This is the group’s second album, not including their MTV Unplugged set, and it’s considerably better than the first. The production, while still packed with stereophonic quirks and spur-of-the-moment ad-libs, is less frantic and more focused; the vocals more melodic. When Speech’s singy raps go back and forth with the (black) female voices of his sidekicks over a hip-hop soul groove, you can’t help but vibe to it.
There’s an unnecessary FM radio concept started on Baba Oje’s prelude. The fictional station is called WMFW for We Must Fight (And) Win. Having two unrelated songs with titles that both start with “United” as close to each other as they are makes for a somewhat awkward playlist. Those are relatively minor offenses though on a hip-hop album in which almost every song is musically, perhaps culturally, delightful.
my rating : 4 of 5
1994