audio review : Taste Of Chocolate ( album ) … Big Daddy Kane

audio review : Taste Of Chocolate ( album ) ... Big Daddy Kane

Big Daddy starts the new (1990) decade with a Taste Of Chocolate; his third album in as many years. It’s Hard Being The Kane, he claims, as if having “girls in more areas than a Sky Pager” is a lifestyle most guys can sympathize with. Mr Pitiful is his response to Biz Markie’s Vapors.

The raps are smooth, often clever and occasionally brilliant. At one point he speaks of a kid who “smelled like he washed in Oil Of Oh Shit.” The beats are funky. The songs falter mainly at the breaks where, for some unknown reason, guest Barry White never actually sings.

my rating : 3 of 5

1990

audio review : Looks Like A Job For ( album ) … Big Daddy Kane

audio review : Looks Like A Job For ( album ) ... Big Daddy Kane

The Prince Of Darkness seduced the ladies on his previous album. This one is for waxing the ass of competitive rappers. “I’m making the nonbelievers believe what I’m dishing up,” he proclaims, sometimes straddling the line between clever and corny, “and people that’s still fans will be air conditioners.”

The best songs are the first two and last two, or last two before the Nuff Respect bonus Remix, along with the sole romancer; a Very Special duet with Salt N Pepa’s DJ Spinderella. Stop Shammin, the beat of which is produced by Easy Mo Bee, is another highlight, though the breaks get clamored with noisy samples.

my rating : 3 of 5

1993

a DJ Klay Slay rap collaboration : Rolling 110 Deep

2021

audio review : Prince Of Darkness ( album ) … Big Daddy Kane

audio review : Prince Of Darkness ( album ) ... Big Daddy Kane

Big Daddy Kane is the Prince Of Darkness. “It’s a sin to be bad,” he says, “but somebody’s gotta do it.” The ominous moniker is actually a metaphor to represent his romantic allure. The Dark bit refers to his skin tone, which turn the ladies on when the moonlight is “shining on his back.”

When not in seduction mode, he’s mostly bragging to the fellows about his rap skills, which are laced with funny, sometimes corny, puns, but the best song is the least hip-hop of them all. I’m Not Ashamed, he proclaims to that one special girl over a soulful soundscape fit for Barry White.

my rating : 3 of 5

1991