Tag: Bruce Swedien

audio review : 2 Bad ( song ) … Michael Jackson

This song should end at about the 3:41 mark before Shaquille O’Neal enters the court. His verse is decent enough, aside from the faddish “95” reference, but the song would be better without him. Michael Jackson holds his own (“crotch”) vocally; there are some funky harmonies happening here; especially during the peaks when he starts doing his signature ad-libs.

my rating : 4 of 5

1995

audio review : History ( album ) ... Michael Jackson

audio review : Will You Be There ( song ) … Michael Jackson

This song would be better without the intro; an orchestral piece that lasts for over a minute; especially considering a second one; what sounds like angels hymning; immediately follows. By the time Michael Jackson sings, his old Motown records Got To Be There and I’ll Be There would be reaching their ends.

This isn’t a romantic dedication to some girl though. As the angels suggest, it seems to be a religious calling of sorts. “Hold me like the river Jordan and I will then say to thee you are my friend,” Michael Jackson pleads, “Carry me like you are my brother, love me like a mother; Will You Be There?”

The church choir offers a similar melody to the verses, which suggests a lack of musical creativity, though it is a wondrous melody. The song, in fact, sounds like one that was destined to be made; perhaps a future standard generations of people will come to sing-along with and enjoy. It reminds me of Christmas.

The one major sin (flaw) other than the ostentatious prelude is Jackson seeming to not be able to hear what the choir is saying during the peak. “Lay your head lowly,” they sing to which he ad-libs about getting “lonely”. The coda, on which he recites a poignant poem over the music of Heaven, sounds divine.

my rating : 4 of 5

1991

audio review : Heal The World ( song ) … Michael Jackson

This sounds like a cover of an old pop standard perhaps from the catalogue of The Carpenters. According to the credits, it’s composed entirely by Michael Jackson; its philanthropic theme is to the Dangerous album what Man In The Mirror was to Bad; with musical accompaniment from John Bahler and Marty Paich.

It’s a song mostly layered in schmaltz, but they’re beautiful oceans nonetheless. Jackson’s quivering vocal melodies sound superb. The only bruises (flaws) I can see (hear) have to do with certain words that should rhyme not rhyming (“brothers/plowshares”) and an adult starting monologue being spoken by what sounds like a kid.

my rating : 4 of 5

1991