2010
Tag: Big Sean
Friday Night Cypher ( rap ) … Tee Grizzley + Kash Doll + Cash Kidd + Payroll Giovanni + 42 Dugg + Boldy James + Drego + Big Sean + Sada Baby + Bad Meets Evil
2020
I Do It ( song ) … Lil Wayne ( featuring Lil Baby + Big Sean )
2020
Eminem performing a song at The I Heart Radio Music Awards : Nowhere Fast ( featuring Kehlani )
2018
Eminem and Big Sean
2017
Don’t Look Down ( song ) … Lupe Fiasco + Kanye West + Big Sean ( featuring Mos Def )
2010
I Don’t Like ( song ) … Chief Keef + Kanye West ( featuring Big Sean + Jadakiss + Pusha T )
Detroit Versus Everybody ( song ) … Royce Da 5-9 + Big Sean + Danny Brown + Eminem ( featuring Dej Loaf + Trick Trick )
2015
audio review : Detroit Versus Everybody ( song ) … Royce Da 5-9 + Big Sean + Danny Brown + Eminem ( featuring Dej Loaf + Trick Trick )
The hook is structurally okay. What’s annoying is Dej Loaf’s kid voice and the way she mispronounces “Versus”. I hear other rappers say it this way, including Danny Brown, but that makes it no less annoying. It’s actually a bit of a shame because a winning chorus is all that’s holding this Motor City anthem; all six vocalists are from Detroit; from being a notable (GOOD-Fridays-like) collaboration.
That’s despite the fact that Eminem, the obvious MVP, disappoints with a stiff and frenzied vocal delivery. If it’s him “verse” everybody in a race, he wins. If, however, we’re referring to quality, well, at least he outshines Danny Brown. The best part of the song is the beat, produced by Statik Selektah, especially when it strips down to a solemn piano groove during the aforementioned (Eminem) verse.
my rating = 3 of 5
2014
Detroit Versus Everybody ( song ) … Royce Da 5-9 + Big Sean + Danny Brown + Eminem ( featuring Dej Loaf + Trick Trick )
2014
24 Karats Of Gold ( song ) … Big Sean ( featuring J Cole )
2012
audio review : Cruel Summer
The hooks on the first two songs are annoying. R Kelly, for one, sounds silly stretching the word “world” out to so many syllables. Neither is as bad as on a song called Higher though, which is practically unbearable. There is “GOOD” music here, but most of it is confined to the actual music. The instrumental beats, even without Kanye West at the helm, thump with artistic flair.
The raps are neither here nor there; there aren’t really any stand-out MCs in Kanye’s clique; though feature verses from Ghostface Killah and Jadakiss serve as pleasant surprises. Song highlights include Don’t Like, an updated version of the Chief Keef song, which isn’t at all appropriate as the ending to an album that represents a record label he’s not signed to, Sin City and The One.
my rating : 3 of 5
2012