audio review : A Better Tomorrow ( album ) … Wu-Tang Clan

audio review : A Better Tomorrow ( album ) ... Wu-Tang Clan

The main problem I have with this album is the title. Wu-Tang Clan (members) made a song called A Better Tomorrow in 1997. Making a new one that seems to have nothing to do with the original and titling a new album after it, or vice versa, is conceptually outlandish. Surely they could’ve thought of a different name for this project. I guess Rza is the one to blame. He’s not only the leader but also my favorite member. As an MC, he’s generally underrated in comparison to the more critically acclaimed ones like Method Man, Ghostface and Raekwon. Not that he has many chances to rap. Wu-Tang Clan is a group of nine; Cappadonna seems to have unofficially taken the place of Ol Dirty Bastard; and Rza’s busy making beats.

That mix of raw eclectic hip-hop is more elaborate but usually less fulfilling than his earlier simpler stuff. It does, however, represent the best parts of an album with raps that are rarely better than decent and hooks you don’t want to hear more than once. Crushed Egos, Hold The Heater, Ruckus In B Minor; all fall victim to banal breaks. Miracle, the chorus of which sounds laughably out of place on a Wu album, needs a Disney disclaimer. Felt, a disaster in wordplay à la KRS-One’s Hold, is stupid. Forget the lack of chemistry between rappers; the monologues consist of old Dirty Bastard clips; the album is basically another 8 Diagrams. That means I’ll play the one or two songs I like and just hope they do better next time.

my rating : 3 of 5

2014

audio review : Wu Block ( album ) … Ghostface Killah + Sheek Louch

Wu Block ( album ) ... Ghostface Killah + Sheek Louch

The title doesn’t really make sense. It’s a Wu-Tang Clan and D-Block (Lox) collaboration; Ghostface and Sheek are the prime members for this set; but the Wu Block moniker implies a Clan takeover. The title doesn’t linguistically represent both groups, in other words. It seems to favor Wu-Tang Clan over D-Block because the “Wu” is semantically equivalent to the “D”, not the “Block”. If you take out the “D”, it can be anybody’s “Block”, depending on whose name you put before it, just as it could be anybody’s “Clan”. If it were D Clan, the problem would go the opposite way.

Not that I’d expect either group to consider proper English. This is rap music for uneducated street thugs; the type of “niggas” who rob and shoot people when they aren’t selling drugs to them. The first song, as it goes, is a collection of Crack Spot Stories. It’s also one of the best because it’s one of the few that isn’t dampered by a tawdry hook. Stick-Up Kids, inspired by a tired Fat Boys catchphrase, and Been Robbed, which limits its verse space to just four bars, are particularly annoying. The only commendable chorus, in fact, is the one provided by guest singer Erykah Badu.

Sheek has become the best rapper of The Lox though. “My high school teachers, they said I wouldn’t be nothing; sitting on the bleachers,” he says, “Now I’m sitting in a Phantom, trying to figure-out the features.” Jadakiss and Styles provide guest verses for comparison’s sake. Other Clan members, and Cappadonna, are also featured. I would’ve liked to hear a verse from Rza, but Ghostface holds it down. He and Sheek Louch actually make a dynamic duo. When Method Man finishes their story about a shady “bitch” named Stella, he only distracts from their chemistry.

my rating : 3 of 5

2012