This; Snoop’s second album; is bound to be compared to his Doggystyle debut. The cover photo; the rapper wearing and surrounded by black; also brings to mind 2Pac’s All Eyez On Me. It isn’t up for either challenge; Tha (Dreless) Doggfather is actually the weakest Death Row release so far; but it does include a few bangers and Bouncers.
my rating : 3 of 5
1996
These two albums, each considered a double album as far as the time limits of CDs and cassettes go, were bound to be compared. What’s amazing is how comparable they are. They represent the rival rappers at their best, though it’s not so much 2Pac and The Notorious BIG but their musical associates that make the projects as good as they are.
The beats are the best parts. They’re mostly provided by Death Row and Bad Boy’s in-house producers; Johnny J and Stevie J get the most credits; though Diddy steps out to invite the likes of DJ Premier, who produced Unbelievable from BIG’s debut, and Rza. I prefer the grimy streets of New York over west-coast California’s G-funk though.
Eyez has better hooks because Death Row has better singers. Nate Dogg, Danny Boy and Michel’le are the highlights of their features along with uncredited crooners like Nanci Fletcher and Stacey Smallie. It’s special guest George Clinton who shows his ass though. Can’t C Me is the best song. Life After Death doesn’t have an obvious standout.
Still, when it comes to Biggie and Pac as rappers, while neither will wow you with lyrical prowess, I prefer the former. Pac, whose flashy delivery would make for a more entertaining concert performance, rarely has anything particularly interesting to say. Biggie can be surprisingly poignant, funny even, especially when he’s Got A Story To Tell.
my vote : Life After Death
“Biggie, give me one more chance,” to cash in on your death. This movie; based on the life of Chris Wallace, better known as The Notorious BIG; isn’t really about biographical art. Neither does it offer anything new about his life. It’s just a straight summary that goes from his hardships as a Brooklyn street kid to the Biggest name the “eastcoast” rap world has to offer without offering any unique insight or perspective of its own. That means, even if you never read Vibe or watched BET enough to know what’s going to happen, what does is never enough to warrant a Hollywood movie.
Aside from his “so-called beef with you-know-who” and the spectacular murders that follow, BIG’s life of rags-to-riches, worldwide fame and bitches; Naturi Naughton plays the role of Lil Kim; just isn’t that interesting when the words don’t rhyme over beats. The storytellers here; screenwriters Reggie Rock and Cheo Hodari, along with director George Tillman; simply lack the creative know-how to make up for that fact. What that results in is a movie any cinema-driven fan could’ve made with a big-enough budget and approval from $ean “Puffy” Combs as executive producer.
my rating : 3 of 5
2009
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swaysuniverse.com
2017
vladtv.com
I would’ve preferred a documentary, but here it is; the story of NWA in Hollywood movie form. I was never a fan of the group, but two of its members, Dr Dre and Ice Cube, went on to become megastars in their own right. The same might’ve been said for leader Eazy-E if this story didn’t end the way it did. His dying of HIV, hardly a spoiler, is only one of many highlights the bouncy script touches upon. It’s a straight rundown of the group’s career, from low class teenagers in crime-ridden Compton to famous rap stars, with more focus on the behind-the-scenes drama than the music.
Straight Outta Compton, crudely named after the title of their debut album, isn’t anything special on the whole. Its individual parts; director F Gary Gray has a knack for glamorizing life thru movie scenes; are what keep things interesting. The prologue sequence of Eazy-E getting caught in a dope house raid and a funny bit involving a groupie named Felicia are prime examples. The actors tend to overact; you get the sense that the characters know they’re in a movie; but such flaws are basically forgiven to watch the story, which hints at a sequel focused on Dr Dre’s solo career, unfold.
my rating : 4 of 5
2015