2016
gq.com
2016
gq.com
2021
2009
This album isn’t really untitled. The title is Untitled, but don’t waste your time trying to interpret some special meaning behind it. It’s apparently just a lazy artistic decision on the part of R Kelly, which doesn’t surprise me. Most of his albums have silly titles, so it’s business as usual for the crooner and in more ways than one.
Every song has to do with sex in some way or another. Even the Religious one has him singing to a girl he’s romantically, and no doubt sexually, involved with but not married to. Perhaps he forgot that his prolific song catalogue already includes a Religious Love dedication; one that happens to sound better than this one.
I’m not a “hater” though. I like R Kelly because R Kelly makes good music. After his previous two albums, I should say he’s starting to make better music again. His lack of conceptual diversity is actually part of his allure. The more shameless the lyrics are, like telling a girl to open her legs so that he can Kiss her on the lips, the better.
The best songs are the ones with the best vocal melodies. There’s an enchanting chorus happening Elsewhere. There’s also a cool song about Text messages tequila drinkers can relate to. Go Low, on which he sings about wanting to lick a girl’s pussy and sip on the “sweet sweet water” that will presumably ooze out of it, grooves like classic R.
All references to the Fourth Quarter of 12 Play should’ve been removed when he decided to ditch that concept, Supaman High isn’t a saver until the very end; the best part of the album is the way the beat takes the song out; and there should be a closer after the Pregnant ballad, but the girls don’t seem to mind such artistic blunders.
my rating : 3 of 5
2009
#RKelly an update-we are working hard on the case, scouring the reports and pounding the pavement. Robert is in good spirits and ready for the fight.
— Steve Greenberg (@SGcrimlaw) February 26, 2021
1995
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2000
I give R Kelly credit for taking a big Step in the right direction. He handles all the production here, so this album is his most musically cohesive since the Happy People set. One of the most spirited parts, where he hosts a Christmas party remix for the Love Letter title song, is a virtual salute to that one.
Why the singer uses the metaphor of writing a Letter as opposed to sending a phone message is the question. The answer probably has to do with the album’s throwback vibe, inspired by the soul music of the 1970s and 1960s, as the cover image suggests, when letters and Radio were the thing for couples.
He compares the memory of making Love to a drunken girl in the back of a Taxi Cab to a printed photograph while channeling Michael Jackson at one point, but it’s the album’s best song. Number One Hit is another highlight. Most of the others lack the vocal melodies to match their pretty background music.
my rating : 3 of 5
2010
2010