There are particles of beauty to be found here, where the music suddenly makes a drastic change for the better, but they never last long enough. The BASS chorus, for example, is exhilarating; Conquer The World and Revolution also have interesting highlights; but like a UFO in the distance, those moments are fleeting. The album is mostly banal techno/Hip-Hop-inspired beats with corny vocal samples.
my rating : 3 of 5
1993
“When you are presented with one pure Tone,” the audiologist says, “you hear one pure Tone.” He may be stating the obvious, but his return as a sample signature of Bass 305 is very much welcomed. Whether or not this is meant as a sequel to Pure Tone from their Future album, it “sounds” even better; thanks in part to its pretty pianos and stutter snares.
my rating : 4 of 5
1995
![audio review : a DM Records compilation : Bass Explosion USA [ Volume Two ]](https://marcellee.com/posts/132348.jpg "audio review : a DM Records compilation : Bass Explosion USA [ Volume Two ]")
![audio review : a DM Records compilation : Bass Sound Off USA [ Volume 1 ]](https://marcellee.com/posts/132493.jpg)
This would’ve been better as an EP of new Bass 305 songs. There are clunkers; namely the two with Noise in the title; but Get Close and Searching For Love are good. The problem is that they’re presented in a “continuous mix” with numerous speaker Tests which serve as nothing more than filler. You can exclude the DJ Trippy stuff at the end, but then you’re missing out on Self Transcendence.
my rating : 2 of 5
1997
audio review : Bass Sound Off USA [ Volume 2 ]
audio review : Bass Sound Off USA [ Volume 3 ]
audio review : Bass Sound Off USA [ Volume 4 ]
The concept is fun and the girl is hot, but the cover is tacky. The same can be said for the album itself. Some of the rap songs are among the worst I ever heard. Even the Bass 305 tracks are booty. The most amusing bit is when Trent Partidge, Cruising In Miami, encounters “one of those suckers”. He also provides the best song; Round And Round; but the best bit of music can be found on the Bass Invaders chorus.
my rating : 2 of 5
1997
![audio review : a DM Records compilation : Digital Audio Dimensions [ Cyberbass ]](https://marcellee.com/posts/132410.jpg)
This DM Records compilation includes altered snippets of songs from the label, along with spacey sound effects, in a “continuous mix” to demonstrate “The CyberBass 3D process”. It’s an audio effect that “gives extra dimension to stereo,” the cover reads, “with sound appearing to surround the listener.”
It’s like the effect you get when you don’t plug your headphones in all the way and just as fatiguing on the ears. Why anyone would want to experience it for an hour is beyond me. There are some booming beats here, but it’s not nearly enough to excuse the gimmick or justify the album’s existence.
my rating : 2 of 5
1996
![audio review : audio review : a DM Records compilation : Bass Explosion [ Volume 4 ]](https://marcellee.com/posts/132370.jpg)
Bass 305’s Techno Bass, albeit mistitled, is on Volume Three. It’s inclusion here is either a careless mistake or an artistic calamity. The fact that the album isn’t mastered; some songs are significantly louder than others; and the “4” breaks the nonnumerical tradition of the previous ones suggest the former.
Still this is the best Explosion since Volume 1. That is to say it’s not bad. It’s not good neither; Bass Syndicate is still awful; but there are good songs. The manic loop (chorus) on Bass Alliance’s Damaging Bass encourages “prolonged listening”. Other highlights include Bass In Your Face, Cyber Travel and Virtual Bass.
my rating : 3 of 5
1996
![audio review : a DM Records compilation : Bass Explosion [ Volume Three ]](https://marcellee.com/posts/132362.jpg)
Bass Explosion USA should’ve been left as a lone compilation. Volume Three, though it has the best cover artwork in the series, is about as bad as Two. The Bass Syndicate tracks are awful and most of the “never released” ones should’ve stayed that way. Nothing new from Bass 305 this time, so the best songs are the ones from their last two albums. Into The Future and Does Life Exist are god tier.
my rating : 2 of 5
1995
audio review : Bass Explosion [ Volume 4 ]
audio review : Best Of Bass Explosion
The best thing about this compilation is that included in its “12 new unreleased tracks” are two by Bass 305. Fire And Rain is nice, but Tones; perhaps a sequel to Pure Tone; ranks among their best yet. The set’s major flaws include one from the previous Bass Explosion; vocal songs among a set of instrumentals; and the Finale to the Bass Bombers album, which makes no sense here.
my rating : 2 of 5
1995
audio review : Bass Explosion [ Volume Three ]
audio review : Bass Explosion [ Volume 4 ]
audio review : Best Of Bass Explosion
![audio review : audio review : audio review : a DM Records compilation : Bass Explosion USA [ Volume One ]](https://marcellee.com/posts/132341.jpg)
Woofer Wrecker is an appropriate way to begin this album; a DM Records compilation of “20 booming hi-tech digital bass tracks from the world’s best acts!” That last bit contradicts the USA theme and My Boomin Is A Boomin; one vocal track amid instrumentals; should’ve been omitted, but it’s a decent set. The best songs include Space Bass Traveler, Bach 305 and Musik Of The Future.
my rating : 3 of 5
1994
audio review : Bass Explosion USA [ Volume Two ]
audio review : Bass Explosion [ Volume Three ]
audio review : Bass Explosion [ Volume 4 ]
audio review : Best Of Bass Explosion
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