video review : Trilogy Of Terror

video review : Trilogy Of Terror

The third story is a thrill, at least compared to what came before it. It’s about a Zuni fetish doll that comes to life and tries to kill a woman named Amelia. She’s played by Karen Black who also stars in the other two stories, neither of which induce a single scare, let alone Terror.

The first, about a college student having a sexual relationship with his teacher, is interesting until the stupid ending. The second, which I do commend for being bold enough to include as a plot device a daughter sexually seducing her father; again with the sex; is stupid from the start.

my rating : 2 of 5

1975

audio review : Stranger To Stranger ( album ) … Paul Simon

audio review : Stranger To Stranger ( album ) ... Paul Simon

Papa Bell is cool. It’s named after a Negro baseball player from nearly a century ago, led by bouncy island strings and like something from Graceland. The rest of the album is like something from Wasteland. That is to say that the decline of Paul Simon as a songwriter, which began after The Capeman; his best album as far as I’m concerned; continues. It’s as if he’s forgotten how to make good songs, let alone more classics.

He’s still one of my favorite songers, but I’d rather him retire than tarnish his legacy any further. Wristband is conceptually akin to The Afterlife from his last album and just as silly. Street Angel brings some interesting hip-hop effects, but structurally the song is a mess. The Werewolf is a grower, but In A Parade never stops sounding stupid. Two short interludes on an album barely over a half-hour long reek of laziness.

He sings of “words” and “melody”, but it’s the latter that’s the problem. Paul Simon is still a wordsmith. It’s the way he sings those words that, more than anything else, make his new songs boring and mundane. The Capeman must’ve robbed him. I can almost count on one hand the good songs he’s released since then. Cool Papa Bell is one of them, yes, but good songs on a Paul Simon album are supposed to be the rule, not the exception.

my rating : 2 of 5

2016
 

Troy Puyear :

I will never argue with anyone’s right to offer an opinion, but I vehemently disagree that Paul has “forgotten how to make good songs.” I also find it interesting where people place the cutoff of when he last made good music. This reviewer says The Capeman was the last good one; a commenter says it was Rhythm of the Saints. My good friend Jim says that You’re the One was Paul’s worst album since Hearts and Bones, whereas another friend believes that Hearts and Bones was vastly underrated.

My point? Paul’s style is roving and eclectic, just the way he likes it. Am I a musical “homer,” supporting Paul in everything he does? No. I love most of his music, but there are definitely songs I dislike very much. But one thing I believe unshakably: whether you enjoy a Paul Simon song or album, or whether you feel like he swung for the fences and missed cleanly, he is still out there making relevant music that will make people think, make them feel, and make them smile and tap their feet. The man is a legend, but more importantly, I think he still has the talent and desire that got him here in the first place.

art 87 :

i agree with all the negative reviews. after Rhythm of the Saints, PS has forgotten how to write a melody. i listened to this lp twice and although the rhythms & drumbeats are striking, some good lyrics, the lack of melody makes this lp dull & unenjoyable.

Eric J. Anderson :

You are spot on in your review. My only quibble is that I think So Beautiful or So What is a fine, fine album. Second-tier compared to Rhythm of the Saints or his first four or five solo works, but still excellent. But Stranger To Stranger sounds like b-sides, experiments (failed experiments, mostly), and stuff not good enough for the previous album.

Michael Wilson :

Take a look at the review history of Marcel and you’ll soon discover why his review of the new Simon album isn’t relevant.

david ticehurst :

He sings of “words” and “melody”, but it’s the latter that’s the problem. Paul Simon is still a wordsmith. It’s the way he sings those words that, more than anything else, make his new songs boring and mundane.

I agree. In recent interviews Paul Simon spoke of the importance of sound. He has forgotten or chosen to ignore the importance of melody or song. Several of the songs on this CD are virtually spoken and yet the duet with Dion shows that when he wants to Paul can still sing and sound sublime. The words are as ever exquisite, intelligent and thought provoking. But the sound is bland and tuneless. It is as if Paul wants to be seen as a cool guy almost rapping. His words on his albums continue to sparkle but since Capeman onwards the melodies have disappeared.A huge disappointment for what will probably be his last album given the time it takes him to craft his material.

L. Jones :

Songers?

Mitzi2013 :

Really…Negro?

V8 Vegetable Juice Cocktail : Sea Salt And Clam Juice

V8 Vegetable Juice Cocktail : Sea Salt And Clam Juice

They call this a cocktail, but there’s no alcohol in it. There may as well be. I don’t think it could make the taste much worse. It’s Sea Salt And Clam, more sea salt than clam, which tastes about as disgusting as it sounds.

I don’t like anything salty. A hint can be nice, but I never put salt on anything and opt for saltless items at the grocery store. That’s the problem. This drink, juiced from sweet potatoes and tomatoes, is too salty.

my rating : 1 of 5
 

AMANDA MURPHY :

You don’t like anything salty but you bought a product called “SEA SALT and Clam”?

audio review : The Falling Season ( album ) … Masta Ace

audio review : The Falling Season ( album ) ... Masta Ace

Masta Ace apparently doesn’t care what I have to say. I’ve been complaining about his concept albums ever since he’s been releasing them and he still hasn’t changed a thing. This one, which takes us back to 1980; the year he started high school; serves as a sort of sequel to Son Of Yvonne, which features beats by MF Doom. The sole producer this time is Kic Beats. His aren’t as funky but it’s pure (sample-free) hip-hop nonetheless. Masta Ace used to be a better rapper, but that’s not even the problem here. It’s the weak breaks and annoying skits, the latter of which fails the flow of the album by never letting more than three songs play without interruption. Fats Belvedere, from A Long Hot Summer, is also back, for whatever that’s worth.

Let me be clear. The skits are well-produced and might be suitable for, say, a dramatized audiobook, but when there are so many; some over a minute long; on an otherwise normal rap album, they tend to irk. Young Black Intelligent, on which Ace successfully transports back to the younger fresher rapper he used to be, is a good song with replay value, but you shouldn’t have to skip the proceeding interlude to get to it. There’s nothing wrong with an album having a concept, but Ace takes it too far. By the time you get to Outtakes, literally outtakes of the skits being recorded, you’re thinking of throwing the tape in the garbage like they did De La Soul Is Dead. Either that or trim the skits, leaving an album that sounds unfinished without them.

Even with them, The Falling Season sounds, at times, like an assignment left incomplete. Mothers Regret and Coronation both have potential, but neither offer anything substantial during the breaks. Not every song needs a chorus, but there should be something to hold them down when the verses stop. Passersby trying to console a crying drug addict or a staff member reading names at a high school commencement ceremony isn’t enough. How much better would these songs be with catchy vocals going in the background? “Catchy” is the key word. High School Shit, a thematic rendition of Be True To Your School, has a hook, but it’s basic and sort of wack. Say Goodbye is even worse. Mathematics, Ace rhyming math terms, is just silly.

What he should do, or what he should’ve done a long time ago, is free himself from all these restrictive concepts and simply rap. That, and an ear for catchy hooks, is all he’d need to make another solid album, à la Take A Look Around. That one, his debut, also has its flaws, but its one Reminisce song is still better than the whole Falling Season. Masta Ace, now 49 years old, reminisces about being a high school student on almost every song here; Me And AG, on which he mentions “Uber-driving”, is one clear exception; and that cheats fans out of what is supposed to be his new album. Nostalgia is fun and all, but he’s already done a project like this. I’m starting to wonder if it’s just another case of an old school rapper being stuck in the past.

my rating : 2 of 5

2016

audio review : Lemonade ( album ) … Beyoncé

audio review : Lemonade ( album ) ... Beyoncé

It’s another Beyoncé album, which means a new batch of songs that, as far as modern pop music goes, are merely adequate. She’s been a solo artist for several years, but her best stuff came as a member of Destiny’s Child. Now, even with an endless supply of helpers on hand; Beyoncé has the money/power to recruit just about any producer or lyricist she chooses; she seems to be stuck in a musical rut. Hold Up, which smartly minimizes trap drums for a new age approach, is an early standout, but even it is plagued with banal lyrics. “Can’t you see there’s no other man above you,” the hook goes, “They don’t love you like I love you.”

If “They” means other women and she’s singing to her real-life husband, as verse two strongly suggests; in fact, her bitter sentiments carry on to the next couple of songs; it’s a serious case of trouble in paradise. If that’s the matter, I’d like to take this time to let Beyoncé know that I’m single, about the same age as she is and better looking than Jay-Z. Sorry songs like Sorry I’ll put up with all day, and All Night, for an invite to Red Lobster. That is to say that Beyoncé is beautiful, but her music is far from it. This album, like a cold glass of lemonade on a hot summer day, goes down fresh and slightly sweet but with a sour aftertaste.

my rating : 3 of 5

2016

 

Amazon Customer :

I agree that her best music came in Destinys child. In my opinion, they should never have split. It was all about making Beyonce a big star, but as we have seen from her solo work, that proved to be the wrong strategy.

Catherine Todd :

“I’d like to take this time to let Beyoncé know that I’m single, about the same age as she is and better looking than Jay-Z. Sorry songs like Sorry I’ll put up with all day, and All Night, for an invite to Red Lobster.”

OMG – ROTFL! Marcel, you MADE MY DAY! Best review ever!

new SxS :

Bye Michelle!

audio review : Layers ( album ) … Royce Da 5-9

audio review : Layers ( album ) ... Royce Da 5-9

He says he ain’t leaving here without a classic. If “here” means the universe and “classic” refers to an album, I doubt that’s true. He promised not to lie on any verse, but I guess that was just the first song. It’s all opinion, of course, and in mine, Royce Da 5-9 is (still) one of the best popular rappers ever. It’s his persona that’s annoying, not to mention all the “God” nonsense, and his lack of skills when it comes to composing songs that hold this album back from greatness like every other album of his.

The Hard hook is uncharacteristically catchy. A lot of rappers consider it soft to sing during the breaks. A lot of rappers are stupid. Every other song that has a chorus; the title track sounds exquisite without one; leaves a lot to be desired. That represents the album’s, and rap music’s, biggest flaw. Layers would also do better if it were skit-free and stripped down to, say, the best twelve songs. Interesting start though. Tabernacle tells the story of what Royce considers the most significant day of his life.

my rating : 3 of 5

2016

video review : Black Mass

video review : Black Mass

Use your hand to cover the “M” on the opening title shot. It’ll be the most entertaining part of the movie. Not that this Boston crime story will necessarily put you to sleep. It’s just that director Scott Cooper is a poor man’s Martin Scorsese.

It’s a case of style over substance as Johnny Depp, looking like an actor in costume, plays the role of Winter Hill Gang leader James Whitey Bulger. The plot preludes his life as a fugitive, but it’s barely interesting enough to make you care.

my rating : 3 of 5

2015

audio review : Prepared ( song ) … Jill Scott

This song, which reads like a series of “I” Tweets, doesn’t disappoint until you find out what Jill Scott is reading her old journals and staying on top of her daily chores in preparation for. It’s a cliché and ultimately anticlimactic affair, but the tune, led by a drum beat suspiciously similar to Elton John’s Bennie And The Jets, represents Jill Scott at her musical best, especially during the background chorus sections.

my rating : 4 of 5

2015

audio review : Woman ( album ) ... Jill Scott

audio review : 7 ( album ) … Paula Cole

audio review : 7 ( album ) ... Paula Cole

Paula Cole is still going, albeit not so strong, with album number 7. It’s been a long time since her Harbinger debut, though most fans didn’t discover her until This Fire; her boiling point in terms of popularity and artistic zest. Since then, the songstress has settled into a zone of soft folky campfire music, which is particularly disappointing (boring) in comparison to the striking biographical odes presented on the aforementioned set.

Tiger, Where Have All The Cowboys Gone; every song on This Fire has its merits. Even her previous album, Raven, includes a naughty banger entitled Secretary. 7, as the unimaginative title suggests, sort of coasts along… pleasantly enough to play as background music but with no major highlights. Part of the problem is that she never really bawls here; Paula Cole is best when she’s bawling; but it’s mostly simply a lack of good melodies.

my rating : 3 of 5

2015

audio review : Morning Solitude ( album ) … Steven Bergman

audio review : Morning Solitude ( album ) ... Steven Bergman

This album begins beautifully enough. Peaceful Thoughts conjures just that as songman Steven Bergman plays an array of new-age melodies tranquil enough to drift a baby to sleep. It’s the best of the bunch. Perhaps that’s why it begins the set.

My Morning would begin with Dreams and I’d awake at Day Break; changes that, with some title trimming, would make for a conceptual improvement. The music is nice though. Play it in the morning when you’re alone and feeling Enchanted.

my rating : 4 of 5

1995

video review : The Survivalist

video review : The Survivalist

Never trust a ho. A supposed survivalist foolishly breaks this vital rule of the game. It’s a blunder that, in a story less inclined to political correctness, could’ve made for some interesting conflict. Instead cliché romance develops. There’s a third person in the mix; the woman’s pimp mom; but she’s disposed of in a most unconventional way. This is a movie that’s merely endurable. The best part is when Mia Goth shows her tits.

my rating : 2 of 5

2015

audio review : The Life Of Pablo ( album ) … Kanye West

audio review : The Life Of Pablo ( album ) ... Kanye West

Max B is in prison for life, so, instead of coming to the Good Music studio, he gives a shoutout over the phone. That’s too bad. His catchy hooks might work wonders for this album. Maybe not. The Weeknd sings a hook that, over a minimalist synth, sounds marvelous and Kanye West can barely make a good song out of it. The problem with FML isn’t the verses; West actually does a notable job there; it’s the jarring minute-long coda tacked onto the end. It seems to be there for no reason other than random change. Those of us who consider it a change for the worse are left distracted and disappointed. Scatterbrained artistic decisions like that are what’s troubling in The Life Of Pablo.

It’s presented as another Kanye West album, but it sounds more like a collection of demos. There are simply too few songs to justify the amount of interludes and the like. Of 18 tracks, little more than half pass the three-minute mark and some of those don’t quality as proper songs. Not that an album has to have songs, but since there are; No More Parties In LA would’ve easily fit My Beautiful Dark Twisted Fantasy; it makes for an awkward mix. Worst of all is that not much of what’s going on sounds good anyway; let alone beautiful. West, as musically talented as he may be, hasn’t put his skills on display since 2010. That’s about six years ago. At that point, he’d been making good albums for about six years.

I forgot about 808s And Heartbreak, his first downward spiral, but he’s hit a new low with this Pablo set, which begins enchantingly enough. He’s always allowed his Christian views to seep into his music, but Ultralight Beam, featuring a monologue by Kirk Franklin, takes things into full gospel mode. It’s one of the best tracks though, one of only a few; Real Friends and the aforementioned FML included; that stand-out among all the messiness. The old Kanye wouldn’t have made a wack song like Facts or included a wack Freestyle on one of his albums. The old Kanye didn’t rap to kick/snare drums this basic. Dare I say the old Kanye would never make music this soulless; no stupid religious puns intended.

No, I’m not one of the people he’s mocking on the Love Kanye bit. I don’t “miss” the old Kanye. I like most of his albums, four of seven, but I was never a big enough fan to miss him. The old Kanye; the one who apparently died not long after the release of My Beautiful Dark Twisted Fantasy, probably his best album; was a lot better than the new one though, at least when it comes to songs and albums. If his previous release, Yeezus, wasn’t almost as bad, which it is, I’d have a hard time even accepting The Life Of Pablo as a Kanye West album. That’s how far he’s fallen aesthetically. Even his rap skills have taken a dive. Perhaps it’s time for him to consider going back to school. They say it’s never too late.

my rating : 2 of 5

2016