1989
Tag: music
Blackman In Effect ( song ) … KRS-One
1990
Breath Control 2 ( song ) … KRS-One
1990
audio review : Now Hear This ( album ) … KRS-One

It’s 2015 and KRS-One is still putting out albums. Why not? The MC still has a lot to say and he’s still dope enough to make me want to hear it. Listen to the Intro. Even at 50 years old, he’s above your average rapper. He’s below average when it comes to the breaks; making the melody of the hook the same as the beat is almost always a wack idea; and that’s why he hasn’t made a satisfactory album since the one he named after himself twenty years ago, but hip-hop fans should Hear This.
I’m not saying it’s good; he’ll probably never make another album that’s anything better than decent; but the verses, spit atop rugged boom-bap beats, are worth a listen. American Flag, for example, has The Teacha at the front of a History class, giving an Edutainment-style lecture on homeland racism. Invaders, a surprisingly catchy reggae tune, exposes the hypocrisy of US immigration laws. Conceptually all that’s missing from this album is a crime story and a “fresh” for 2015 shout.
my rating : 3 of 5
2015
Hymn For The Weekend ( song ) … Coldplay ( featuring Beyoncé )
2016
video review : Straight Outta Compton

I would’ve preferred a documentary, but here it is; the story of NWA in Hollywood movie form. I was never a fan of the group, but two of its members, Dr Dre and Ice Cube, went on to become megastars in their own right. The same might’ve been said for leader Eazy-E if this story didn’t end the way it did. His dying of HIV, hardly a spoiler, is only one of many highlights the bouncy script touches upon. It’s a straight rundown of the group’s career, from low class teenagers in crime-ridden Compton to famous rap stars, with more focus on the behind-the-scenes drama than the music.
Straight Outta Compton, crudely named after the title of their debut album, isn’t anything special on the whole. Its individual parts; director F Gary Gray has a knack for glamorizing life thru movie scenes; are what keep things interesting. The prologue sequence of Eazy-E getting caught in a dope house raid and a funny bit involving a groupie named Felicia are prime examples. The actors tend to overact; you get the sense that the characters know they’re in a movie; but such flaws are basically forgiven to watch the story, which hints at a sequel focused on Dr Dre’s solo career, unfold.
my rating : 4 of 5
2015
audio review : Let The Groove Get In ( song ) … Justin Timberlake
This dance anthem is built around an annoying chant that is abandoned about three-fourths in. Just before it ends, the music, starting at about the five-minute mark, makes its grand transformation into a 1970s-style disco floater to which Justin Timberlake adds a beautiful harmonized falsetto chorus. “All night long,” it goes. That coda, when the groove finally does get in, is exhilarating. It’s a damn shame the whole song doesn’t sound like that.
my rating : 3 of 5
2013
Deep Space House [ 188 ]
2016
American Tune ( song ) … Paul Simon
1973
For The Music ( DJ set ) … DJ Spivey
2016
Deep And Dope 291 ( DJ set ) … JaBig
2016
jabig.com
Deep Space House [ 187 ]
2016

