The verses and bridges, sang from the perspective of a guy distraught because his girlfriend is leaving him, sound superb. That’s partly because of pretty chords introduced to the otherwise sparse Swing beat. It’s the hook, one of Michael Jackson’s worst if only because it seems so incomplete, that’s anticlimactic.

The whole song, in fact, sounds like a demo, especially during the second half when the aforementioned verses and bridges are abandoned for what comes across as an extended Dub Mix. It’s a groovy song, strange structure and all. I’m just surprised it actually made it onto a Michael Jackson album as it is.

my rating : 4 of 5

1991