2020
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2020
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2020
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2020
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2020
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This story, about a woman experiencing déjà vu on a second honeymoon trip to Captiva Island, is one of Stephen King’s worst. It’s a lot of biographical rambling, mostly about the woman’s mundane marriage, without any narrative payoff.
my rating : 1 of 5
1998


When I first heard Rob Zombie would bring back The Devil’s Rejects after they went out like Thelma And Louise nearly a decade and a half ago, I figured it would be some sort of prequel. This isn’t. It’s a bona fide sequel featuring the original members with one disappointing caveat.
While all 3 Rejects are here, Captain Spaulding, the most enthralling, is limited to a cameo role. That’s reportedly the result of real-life health problems. The actor, Sid Haig, is 80 years old. He’s replaced by a less interesting brother of Otis, who helps him (Otis) escape from prison.
That’s one of many blatant implausibilities happening in this movie, including the fact that the Rejects are still alive in the first place, though it’s Baby’s escape that’s most absurd. Once the new trio is set, the plot starts to get good, but by then it’s almost at the halfway point.
The best parts are still the kills; what I like most about Rob Zombie movies is the amoral depiction of brutal violence; but 3 seems incomplete without Cutter. A phone call in Mexico gives the peak dramatic suspense, but this is the worst movie in the Firefly trilogy.
my rating : 3 of 5
2019

It’s the supernatural theme, which has to do with witches and Satan, that holds this otherwise interesting movie down. The best parts are when humans engage in normal conversations, albeit often about said abnormal topics. When creatures appear and the horror begins, mostly in the form of abstract cutaways revolving around a radio DJ named Heidi, the plot grinds to a bloody halt.
my rating : 3 of 5
2012
“How does it feel?” Lonely and cold; gloomy and ominous. The most popular singer in the world has experienced a “swift and sudden fall from grace”, it’s raining; “sunny days seem far away”; and it seems he’s in imminent danger. He’s a Stranger In Moscow.
The song, flawed mainly by a gratuitous prelude; the storm is too quiet; and synth drums that sound somewhat out of place, doesn’t make much of an impact until the final third. That’s when Michael Jackson drops the subtleties and finally opens up vocally.
my rating : 4 of 5
1995
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1921
2020